Recording

Nova3 Large Diaphragm
Condenser Microphone

is perfect for vocal performance, broadcast, acoustic instruments and amplifiers.

FEATURES:

  • High degree of clarity for any voice or instrument applications
  • Professional hand-built double sided 34mm large-diaphragm capsule for full, open-sound and unsurpassed audio quality and flexibility
  • Switchable polar patterns: figure 8, omni-directional and cardioid
  • – 10 dB switchable pad
  • Low cut filter
  • Ideal as a primary or support microphone for a variety of recording situations
  • Perfect for vocals and acoustic instruments
  • Pressure-gradient transducer with shock-mounted capsule
  • Top-quality components including Wima capacitors and Fairchild resistors
  • Ultra-rugged construction with electroplated finish
  • Suspension shock mount and innovative zero-hassle magnetic slip-on pop filter included
  • Metal storage carry case

NameSpec
Transducer TypeElectrostatic
Operating PrinciplePressure Gradient
The diaphragm's active diameter34 mm
Frequency Range20 Hz to 20 kHz
Polar patternCardioid, Figure 8, Omnidirectional
Sensitivity(dB re iV/Pa)(-37dBV/Pa)(-40dBV/Pa)(-38dBV/Pa)
Sensitivity at 1 kHz into 1000 Ω load(-14,10,12.5)mV/Pa
Output impedance50Ω
Rated load impedance1000Ω
Suggested load impedance> 500Ω
Maximum SPL for 0,5% THD at 1000Ω load144dB/ 147dB/ 147dB
S/N Ratio DIN/IEC 651 A-weighted78dB/ 75dB/ 75dB
Dynamic range of the microphone preamplifier128dB
Phantom powering voltage on pin 2&3 of XLR:+48V (+/-4V)
Current consumption≤ 4mA
Output connector3-pin XLR male
Dimensions63mm x 60mm x 154mm
Weight0.394kg

Nova3 Large Diaphragm
Condenser Microphone

is perfect for vocal performance, broadcast, acoustic instruments and amplifiers.

FEATURES:

  • High degree of clarity for any voice or instrument applications
  • Professional hand-built double sided 34mm large-diaphragm capsule for full, open-sound and unsurpassed audio quality and flexibility
  • Switchable polar patterns: figure 8, omni-directional and cardioid
  • – 10 dB switchable pad
  • Low cut filter
  • Ideal as a primary or support microphone for a variety of recording situations
  • Perfect for vocals and acoustic instruments
  • Pressure-gradient transducer with shock-mounted capsule
  • Top-quality components including Wima capacitors and Fairchild resistors
  • Ultra-rugged construction with electroplated finish
  • Suspension shock mount and innovative zero-hassle magnetic slip-on pop filter included
  • Metal storage carry case

NameSpec
Transducer TypeElectrostatic
Operating PrinciplePressure Gradient
The diaphragm's active diameter34 mm
Frequency Range20 Hz to 20 kHz
Polar patternCardioid, Figure 8, Omnidirectional
Sensitivity(dB re iV/Pa)(-37dBV/Pa)(-40dBV/Pa)(-38dBV/Pa)
Sensitivity at 1 kHz into 1000 Ω load(-14,10,12.5)mV/Pa
Output impedance50Ω
Rated load impedance1000Ω
Suggested load impedance> 500Ω
Maximum SPL for 0,5% THD at 1000Ω load144dB/ 147dB/ 147dB
S/N Ratio DIN/IEC 651 A-weighted78dB/ 75dB/ 75dB
Dynamic range of the microphone preamplifier128dB
Phantom powering voltage on pin 2&3 of XLR:+48V (+/-4V)
Current consumption≤ 4mA
Output connector3-pin XLR male
Dimensions63mm x 60mm x 154mm
Weight0.394kg

Adaptable and Versatile

The Nova3 is a versatile microphone suitable for various applications such as vocal performances, broadcasting, recording acoustic instruments, and capturing amplifier sounds. It offers a high level of sensitivity and clarity, making it ideal for capturing the nuances and details of vocals or acoustic instruments.

Optimized for Recording

Here are some of the features of the Nova3 that make it a great choice for recording:
  • Warm, natural sound.
  • Switchable polar patterns: Cardioid, Omnidirectional, and Figure-8 patterns are available, giving you flexibility in how you capture the sound.
  • Low noise floor: This means that you can record with low levels of background noise, resulting in cleaner recordings.
  • Stylish design: The Nova3 is a great-looking microphone that will look good in any studio.
  • Affordable price: The Nova3 is a very affordable microphone, making it a great option for budget-minded recorders.

Stylish Design

The Nova3 is a great-looking microphone that will look good in any studio.
Nova3 mic front and back
Low Cut

The Low Cut Switch cuts low frequency content below 100 Hz. Useful for voices and instruments to reduce low frequency rumble.

Pad

The Pad switch reduces the signal from the microphone by -10 dB. This is useful for high volume sources such as guitar cabinets, loud singers or a drum kit.

Omnidirectional

The Onmidirectional polar pattern captures sound from all directions on all sides of the microphone. This is good for recording a wide sound source, recording the sound of a room or capturing the sound of an instrumentalist who moves a lot.

Cardioid

The Cardioid pattern records whats in front of the microphone, ignoring everything else. It is ideal for vocals and can be used for a wide range of sources including drums, acoustic instruments and guitar cabinets.

Figure 8

The Figure 8 pattern is sensitive to sound sources at the back and front of the microphone - ignoring sounds on the sides of the microphone. Try this pattern when recording a duet, or a face-to-face interview.

Nova3 mic front and back
Low Cut

The Low Cut Switch cuts low frequency content below 100 Hz. Useful for voices and instruments to reduce low frequency rumble.

Pad

The Pad switch reduces the signal from the microphone by -10 dB. This is useful for high volume sources such as guitar cabinets, loud singers or a drum kit.

Omnidirectional

The Onmidirectional polar pattern captures sound from all directions on all sides of the microphone. This is good for recording a wide sound source, recording the sound of a room or capturing the sound of an instrumentalist who moves a lot.

Cardioid

The Cardioid pattern records whats in front of the microphone, ignoring everything else. It is ideal for vocals and can be used for a wide range of sources including drums, acoustic instruments and guitar cabinets.

Figure 8

The Figure 8 pattern is sensitive to sound sources at the back and front of the microphone - ignoring sounds on the sides of the microphone. Try this pattern when recording a duet, or a face-to-face interview.

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